Denarius - Juba II Caesarea

Emissor Mauretania
Ano 10
Tipo Standard circulation coin
Valor 1 Denarius
Moeda Denarius (25BC-40AD)
Composição Silver
Peso 2.97 g
Diâmetro 19 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação Variable alignment ↺
Gravador(es)
Em circulação até
Referência(s) CNNM#253, MAA#150, SNG Copenhagen#561
Descrição do anverso Head of Juba as youthful Herakles right, wearing lion`s skin headdress.
Escrita do anverso Latin
Legenda do anverso REX • IVBA
Descrição do reverso Cornucopiae filled with grape bunches, ornate trident tied with fillet in background; E-T Λ-E around.
Escrita do reverso Greek
Legenda do reverso E T Λ E
Bordo
Casa da moeda
Tiragem 35 (10 AD) - -
ID Numisquare 1222040640
Informações adicionais

Historical Context: This Denarius, struck in 10 AD, originates from the client kingdom of Mauretania under King Juba II. Appointed by Augustus, Juba II was a highly educated monarch, a scholar whose reign was instrumental in integrating Mauretania into the Roman sphere. His marriage to Cleopatra Selene II, daughter of Mark Antony and Cleopatra VII, further enhanced his prestige. This coinage reflects his loyalty to Rome, asserting his regal authority and the economic stability of his kingdom during the Pax Romana from his capital, Caesarea.

Artistry: While the specific engraver is unknown, the artistic style of Juba II's denarii typically blends Roman imperial portraiture with Hellenistic aesthetics. The obverse invariably features a dignified, often diademed, portrait of Juba II, rendered with realistic yet idealized features. Reverse designs commonly depict symbols pertinent to Mauretania, such as local fauna, or incorporate Roman and Hellenistic mythological figures. These designs are executed with considerable skill, showcasing the refined artistic output of his royal mint at Caesarea.

Technical/Grading: This silver Denarius, weighing 2.97 grams and measuring 19 millimeters, aligns with expected specifications for Juba II's coinage, which often ran slightly lighter than contemporary imperial issues. For optimal grading, collectors prioritize a strong strike, especially on the high-points of the portrait—hair, diadem, and facial features—and clear definition of reverse elements. A well-centered strike on a sound flan, exhibiting minimal die wear and surface imperfections, signifies a premium example of this historically significant issue.

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