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| 表面の説明 | Highly stylised and schematically rendered effigy of a standing king facing right, occupying the central field, the figure reduced to an abstract geometric form through successive generations of die-copying. Subsidiary decorative elements and pellets are distributed around the royal effigy in the field. A border of pellets and crescent-like motifs encircles the design, characteristic of the late debased Kidarite series. Brahmi legend reading 'Nagari bhagava' (a river deity name) appears around the figure. |
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| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | Brahmi |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Kidarites were themselves a successor remnant — already fragmented after Sasanian and Hephthalite pressure had broken the main kingdom — and the coins issued in this late phase reflect an economy scraping at the edges of a gold standard it could no longer sustain. A fineness of roughly 12.5% gold against the nearly pure dinars of earlier Kushan issues tells the whole story of fiscal collapse without a word of text. The Namvihaksha attribution places this within a local post-Kidarite dynastic line known almost entirely through its coinage, with no surviving documentary record.