Batzen

Emissor City of Solothurn
Ano 1401-1499
Tipo Standard circulation coin
Valor 1 Batzen (1⁄17)
Moeda Guldiner (15th century-1579)
Composição Silver
Peso 2.64 g
Diâmetro 27 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação
Gravador(es)
Em circulação até
Referência(s) HMZ 2#2-815, SMK7 Slt#34, SMK7 Slt#35
Descrição do anverso Arms with lattice dividing S O, eagle above.
Escrita do anverso Latin (uncial)
Legenda do anverso MONETA * SOLODOREN S O
(Translation: Money of Solothurn)
Descrição do reverso Anchor cross with decoration in angles within circle.
Escrita do reverso Latin (uncial)
Legenda do reverso + SANCTVS * VRSVS * MART
(Translation: Saint Ursus, Martyr)
Bordo
Casa da moeda
Tiragem ND (1401-1499) - 2-815a, no S O -
ND (1401-1499) - 2-815b, with S O -
ID Numisquare 5917051930
Informações adicionais

Historical Context: This Batzen was issued by the City of Solothurn during the 15th century, a period of significant growth and consolidation for the free imperial city within the Old Swiss Confederacy. Lacking a singular monarch, Solothurn was governed by its council, reflecting a burgeoning urban autonomy. The issuance of this substantial silver coinage underscored Solothurn's economic vitality and its sovereign right to mint, crucial for regional commerce and a testament to its increasing influence, culminating in its full admission to the Confederacy in 1481.

Artistry: While the specific engraver remains anonymous, typical for late medieval civic coinage, the design reflects the prevailing Late Gothic style with nascent Renaissance influences. Solothurn Batzen commonly feature Saint Ursus, the city's patron, often depicted standing or enthroned, on one side. The reverse usually displays the Solothurn coat of arms—a distinctive red and white shield—or a double-headed eagle, signifying its imperial ties. Latin legends would circumscribe the central motifs, identifying the issuing authority and often invoking the saint.

Technical/Grading: Struck in silver, this Batzen weighs 2.64 grams and measures 27 millimeters, indicating a relatively broad, thin flan for its period. High-points for wear or strike weakness typically include Saint Ursus's head, hands, and drapery, or the upper details of the shield and eagle’s heads. As with many 15th-century issues, technical strike quality can vary considerably; off-center strikes, planchet irregularities, and areas of weakness are common, stemming from manual striking techniques. Full, even strikes are highly prized by collectors.

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