Batzen

Emittent City of Solothurn
Jahr 1401-1499
Typ Standard circulation coin
Nennwert 1 Batzen (1⁄17)
Währung Guldiner (15th century-1579)
Material Silver
Gewicht 2.64 g
Durchmesser 27 mm
Dicke
Form Round (irregular)
Prägetechnik Hammered
Ausrichtung
Stempelschneider
Im Umlauf bis
Referenz(en) HMZ 2#2-815, SMK7 Slt#34, SMK7 Slt#35
Aversbeschreibung Arms with lattice dividing S O, eagle above.
Aversschrift Latin (uncial)
Averslegende MONETA * SOLODOREN S O
(Translation: Money of Solothurn)
Reversbeschreibung Anchor cross with decoration in angles within circle.
Reversschrift Latin (uncial)
Reverslegende + SANCTVS * VRSVS * MART
(Translation: Saint Ursus, Martyr)
Rand
Prägestätte
Auflage ND (1401-1499) - 2-815a, no S O -
ND (1401-1499) - 2-815b, with S O -
Numisquare-ID 5917051930
Zusätzliche Informationen

Historical Context: This Batzen was issued by the City of Solothurn during the 15th century, a period of significant growth and consolidation for the free imperial city within the Old Swiss Confederacy. Lacking a singular monarch, Solothurn was governed by its council, reflecting a burgeoning urban autonomy. The issuance of this substantial silver coinage underscored Solothurn's economic vitality and its sovereign right to mint, crucial for regional commerce and a testament to its increasing influence, culminating in its full admission to the Confederacy in 1481.

Artistry: While the specific engraver remains anonymous, typical for late medieval civic coinage, the design reflects the prevailing Late Gothic style with nascent Renaissance influences. Solothurn Batzen commonly feature Saint Ursus, the city's patron, often depicted standing or enthroned, on one side. The reverse usually displays the Solothurn coat of arms—a distinctive red and white shield—or a double-headed eagle, signifying its imperial ties. Latin legends would circumscribe the central motifs, identifying the issuing authority and often invoking the saint.

Technical/Grading: Struck in silver, this Batzen weighs 2.64 grams and measures 27 millimeters, indicating a relatively broad, thin flan for its period. High-points for wear or strike weakness typically include Saint Ursus's head, hands, and drapery, or the upper details of the shield and eagle’s heads. As with many 15th-century issues, technical strike quality can vary considerably; off-center strikes, planchet irregularities, and areas of weakness are common, stemming from manual striking techniques. Full, even strikes are highly prized by collectors.

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