Batzen

発行体 City of Solothurn
年号 1401-1499
種類 Standard circulation coin
額面 1 Batzen (1⁄17)
通貨 Guldiner (15th century-1579)
材質 Silver
重量 2.64 g
直径 27 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 HMZ 2#2-815, SMK7 Slt#34, SMK7 Slt#35
表面の説明 Arms with lattice dividing S O, eagle above.
表面の文字体系 Latin (uncial)
表面の銘文 MONETA * SOLODOREN S O
(Translation: Money of Solothurn)
裏面の説明 Anchor cross with decoration in angles within circle.
裏面の文字体系 Latin (uncial)
裏面の銘文 + SANCTVS * VRSVS * MART
(Translation: Saint Ursus, Martyr)
鋳造所
鋳造数 ND (1401-1499) - 2-815a, no S O -
ND (1401-1499) - 2-815b, with S O -
Numisquare ID 5917051930
追加情報

Historical Context: This Batzen was issued by the City of Solothurn during the 15th century, a period of significant growth and consolidation for the free imperial city within the Old Swiss Confederacy. Lacking a singular monarch, Solothurn was governed by its council, reflecting a burgeoning urban autonomy. The issuance of this substantial silver coinage underscored Solothurn's economic vitality and its sovereign right to mint, crucial for regional commerce and a testament to its increasing influence, culminating in its full admission to the Confederacy in 1481.

Artistry: While the specific engraver remains anonymous, typical for late medieval civic coinage, the design reflects the prevailing Late Gothic style with nascent Renaissance influences. Solothurn Batzen commonly feature Saint Ursus, the city's patron, often depicted standing or enthroned, on one side. The reverse usually displays the Solothurn coat of arms—a distinctive red and white shield—or a double-headed eagle, signifying its imperial ties. Latin legends would circumscribe the central motifs, identifying the issuing authority and often invoking the saint.

Technical/Grading: Struck in silver, this Batzen weighs 2.64 grams and measures 27 millimeters, indicating a relatively broad, thin flan for its period. High-points for wear or strike weakness typically include Saint Ursus's head, hands, and drapery, or the upper details of the shield and eagle’s heads. As with many 15th-century issues, technical strike quality can vary considerably; off-center strikes, planchet irregularities, and areas of weakness are common, stemming from manual striking techniques. Full, even strikes are highly prized by collectors.

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