Aspron Trachy - Theodore I Laskaris Nicaea

Emittent Nicaea, Empire of
Jahr 1208-1222
Typ Standard circulation coin
Nennwert Aspron Trachy (1⁄120)
Währung First Hyperpyron Nomisma (1092-cca. 1300)
Material Bronze
Gewicht 3.31 g
Durchmesser 26 mm
Dicke
Form Round (irregular)
Prägetechnik Hammered (scyphate)
Ausrichtung Coin alignment ↑↓
Stempelschneider
Im Umlauf bis
Referenz(en) BCV#2062
Aversbeschreibung Christ enthroned, facing, holding Gospels.
Aversschrift
Averslegende IC XC
(Translation: Jesus Christ)
Reversbeschreibung Emperor standing, facing, wearing Stemma and Chlamys, holding sceptre cruciger and akakia
Reversschrift
Reverslegende ΔECΠOTHC KOMNHNOC O ΛACKAΡHC (or similar)
(Translation: The Lord Komninos Laskaris)
Rand
Prägestätte
Auflage ND (1208-1222) - -
Numisquare-ID 1541468660
Zusätzliche Informationen

Historical Context: This Aspron Trachy was issued by Theodore I Laskaris, founder of the Empire of Nicaea, between 1208 and 1222. Following Constantinople's sack in 1204 by the Fourth Crusade, Nicaea emerged as the primary Greek successor state, asserting its Byzantine legacy. Theodore I's reign was pivotal, consolidating territory and resisting Latin invaders. This bronze coinage, though of lower intrinsic value, underscored Nicaea's economic autonomy and ambition to restore the Byzantine Empire.

Artistry: The coin's artistry reflects the late Byzantine, Nicaean stylistic school. Anonymous engravers continued established imperial iconography, albeit often with simplified execution due to resource constraints. The design typically features Christ Pantocrator on the obverse, rendered with an imposing visage. The reverse commonly depicts Theodore I standing, often crowned by or holding an orb with a saint, symbolizing divine legitimacy for the new empire. The distinctive scyphate (cup-shaped) fabric is a hallmark.

Technical/Grading: As a bronze Aspron Trachy (BCV#2062), this coin typically exhibits an irregular, broad flan and a characteristic cup-shaped profile. Technical strike qualities frequently include off-center strikes and uneven pressure, resulting in areas of flatness or weakness, especially on outer edges and legend details. High-points, such as facial features of Christ and the emperor, or drapery folds, are often softly rendered due to the bronze composition and strike nature. Patination is common, though a strong strike reveals more definition in central motifs.

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