Katalog
| İhraççı | Kings of Cappadokia |
|---|---|
| Yıl | 230 BC - 220 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 6.14 g |
| Çap | 19.5 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HGC 7#801 var. |
| Ön yüz açıklaması | Head right, wearing bashlyk. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Herm of goddess, holding branch and palm, supported by two sphinxes, seated back-to-back. |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı | ΔΣ API ANIΣA ΔΩ |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (230 BC - 220 BC) - - |
| Numisquare Kimliği | 6786304440 |
| Ek bilgiler |
Historical Context:Ariarathes III (c. 255-220 BC) marked Cappadocia's pivotal transition from satrapy to independent kingdom. This issue, dated 230-220 BC, reflects his solidification of Cappadocian autonomy amidst the volatile Hellenistic landscape. He strengthened ties with the Seleucid Empire through marriage to Antiochis III, daughter of Seleucus II Callinicus, a strategic alliance crucial for the nascent kingdom's survival. This Æ issue underscores his authority and the establishment of a distinct Cappadocian identity.
Artistry:The artistry of this bronze coin, though unsigned, reflects prevailing Hellenistic stylistic traditions of the early 3rd century BC, likely influenced by Seleucid or Attic workshops. The obverse often features a diademed head of Ariarathes III, rendered with idealized realism common to royal portraiture, emphasizing regal authority. The reverse design, frequently depicting a standing deity like Athena or a horse, was executed with competent skill, embodying iconographic choices projecting divine favor or regional significance.
Technical/Grading:This bronze issue, weighing 6.14 gg and measuring 19.5 mm, exhibits characteristics typical of early Hellenistic Æ coinage. High-points for wear or strike quality on the obverse include the ruler's hair and facial features. On the reverse, details of the deity's drapery or the horse's musculature are critical. A well-struck example shows a relatively centered design on a prepared flan, with clear details. Variations in strike pressure and flan irregularities are common for bronze issues, impacting overall preservation and grade.