Catalog
| Issuer | Kings of Cappadokia |
|---|---|
| Year | 230 BC - 220 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 6.14 g |
| Diameter | 19.5 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HGC 7#801 var. |
| Obverse description | Head right, wearing bashlyk. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Herm of goddess, holding branch and palm, supported by two sphinxes, seated back-to-back. |
| Reverse script | Greek |
| Reverse lettering | ΔΣ API ANIΣA ΔΩ |
| Edge | |
| Mint | |
| Mintage |
ND (230 BC - 220 BC) - - |
| Numisquare ID | 6786304440 |
| Additional information |
Historical Context:Ariarathes III (c. 255-220 BC) marked Cappadocia's pivotal transition from satrapy to independent kingdom. This issue, dated 230-220 BC, reflects his solidification of Cappadocian autonomy amidst the volatile Hellenistic landscape. He strengthened ties with the Seleucid Empire through marriage to Antiochis III, daughter of Seleucus II Callinicus, a strategic alliance crucial for the nascent kingdom's survival. This Æ issue underscores his authority and the establishment of a distinct Cappadocian identity.
Artistry:The artistry of this bronze coin, though unsigned, reflects prevailing Hellenistic stylistic traditions of the early 3rd century BC, likely influenced by Seleucid or Attic workshops. The obverse often features a diademed head of Ariarathes III, rendered with idealized realism common to royal portraiture, emphasizing regal authority. The reverse design, frequently depicting a standing deity like Athena or a horse, was executed with competent skill, embodying iconographic choices projecting divine favor or regional significance.
Technical/Grading:This bronze issue, weighing 6.14 gg and measuring 19.5 mm, exhibits characteristics typical of early Hellenistic Æ coinage. High-points for wear or strike quality on the obverse include the ruler's hair and facial features. On the reverse, details of the deity's drapery or the horse's musculature are critical. A well-struck example shows a relatively centered design on a prepared flan, with clear details. Variations in strike pressure and flan irregularities are common for bronze issues, impacting overall preservation and grade.