カタログ
| 発行体 | Lampsakos (Mysia) |
|---|---|
| 年号 | 190 BC - 85 BC |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 7.32 g |
| 直径 | 22 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | France#1232-1235 Copenhagen#217 type#22751 Greek#75 4#2307-2308 |
| 表面の説明 | Laureate head of Apollo to right. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Kithara, in the field left, forepart of Pegasus to the left. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ΛΑΜ |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (190 BC - 85 BC) - - |
| Numisquare ID | 3720915950 |
| 追加情報 |
Historical Context: This Æ from Lampsakos, Mysia, dates from 190 BC to 85 BC. This era followed Rome's victory over Antiochus III, granting Lampsakos significant civic autonomy and prosperity. The coinage reflects this independence, serving local commerce before the consolidation of Roman provincial administration. The terminal date, 85 BC, marks the end of the First Mithridatic War, severely impacting Greek cities and signaling a definitive shift in Roman control. This bronze represents a crucial chapter of Lampsakene self-governance.
Artistry: The artistry of this Lampsakene Æ is typical of the Hellenistic period in Asia Minor. While specific engravers are unrecorded, skilled local artisans crafted the dies. The design, though unspecified, likely depicted prominent local deities like Apollo or Priapus, or civic emblems such as a winged horse. These motifs were rendered with idealized forms and dynamic compositions characteristic of the era, emphasizing clarity and recognizable iconography to convey civic pride and religious devotion on these local issues.
Technical/Grading: This bronze coin, at 7.32 grams and 22 millimeters, fits standard parameters for medium-denomination Hellenistic civic issues. Technical strike quality often varies, exhibiting minor off-centering, uneven strikes, or flan imperfections. High-points, typically including a deity's coiffure, facial contours, or animal musculature, are most susceptible to wear. A well-preserved specimen displays strong detail in these areas, minimal flatness, and a clear, well-centered strike, allowing full appreciation of the design and legends.