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50 Pfennig Millennial Series - Issue 5: Heinrich II + Heinrich III
| Emittent | City of Allstedt (Thuringia) |
|---|---|
| Jahr | 1921 |
| Typ | Local banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
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| Größe | Anmelden um Details zu sehen |
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| Druckerei | Anmelden um Details zu sehen |
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| Vorderseitenbeschreibung | Green and red Notgeld vignette in a triptych architectural composition, with two crowned medieval rulers standing in Romanesque arched niches flanking a central stone tablet. The left figure is identified as Heinrich II (1002–1024) and the right as Heinrich III (1039–1056), each rendered in full-length robes with sceptres. The central panel bears the denomination "50 Pf" above the issue date "Allstedt, d. 1. Oktober 1921" and a facsimile signature of the Bürgermeister beneath the legend "Notgeld der Stadt Allstedt"; the header inscription "DIE TAUSENDJÄHRIGE STADT" arches across the top in bold Gothic lettering. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Brown-toned pictorial vignette signed by the artist Grimm, presenting a landscape view of Schloss Allstedt perched atop a wooded hill, rendered in a watercolour-style illustration. The castle complex, with its prominent tower at right, is framed by a decorative meander border. The town coat of arms appears in the lower-right corner, and a verse caption in Gothic script runs below the central vignette. |
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| Sicherheitsmerkmal | Anmelden um Details zu sehen |
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| Anmerkungen |
Allstedt's claim to these two Heinrichs is legitimate: Heinrich II held court there repeatedly, and the town's imperial palace — the Pfalz Allstedt — was where Heinrich III was born in 1017. The choice of subject for a municipal notgeld series wasn't mere local pride; it was a deliberate assertion of historical weight by a small Thuringian town that genuinely had the medieval credentials to back it up.
A. Herrach in Bürgel printed the bulk of Thuringian notgeld during the early 1920s inflation period and brought consistent lithographic quality to the millennial series. The five-note set was designed for collectors as much as for circulation.