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50 Francs / 10 Belgas Type 1927 Trésorerie
| Uitgever | Banque Nationale de Belgique / Nationale Bank van België |
|---|---|
| Jaar | 1935-1947 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Rectangular |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The Dutch-language reverse, engraved by Maurice Poortman after Anto Carte, centres on an allegorical intaglio vignette of a standing female figure representing Abundance or Commerce, accompanied by a full-rigged sailing vessel and a cornucopia of fruit set against a stylised urban skyline. "NATIONALE BANK VAN BELGIË" is carried across the top in large letterpress type, with the denomination "50 FRANK OF 10 BELGA BETAALBAAR OP ZICHT" and the overprint "THESAURIE" positioned to the left alongside the circular watermark void. Signature lines for "DE SCHATBEWAARDER" and "DE GOUVERNEUR" appear at the lower corners, surrounded by intricate guilloche border work. |
| Opschrift keerzijde | NATIONALE BANK VAN BELGIË 50 FRANK OF 10 BELGA BETAALBAAR OP ZICHT THESAURIE DE SCHATBEWAARDER DE GOUVERNEUR ANTO CARTE FEC. M. POORTMAN SC. DE NAMAKER WORDT DOOR DE WET MET DWANGARBEID GESTRAFT |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The "Trésorerie" designation in the title is misleading — this was a full Banque Nationale issue, not a treasury note. The label stuck because the 1927 type was originally conceived as part of a broader monetary stabilization program following the catastrophic devaluation of the Belgian franc under the Poincaré-era pressures of the mid-1920s, with the belga unit introduced in 1926 at 5 francs to give the denomination scale a more stable anchor.
Anto Carte was a symbolist painter, an unusual choice for banknote design work. Minguet handled the intaglio engraving on the face; Poortman, a prolific engraver at the Belgian printing establishment, took the reverse. The series ran across more than a decade, overlapping with both the German occupation and the wartime government-in-exile in London.