目录
| 发行方 | North Korea |
|---|---|
| 年份 | 1978 |
| 类型 | Commemorative circulation coin |
| 面值 | 50 Chon (0.50 KPW) |
| 货币 | Second Won (1959-2009) |
| 材质 | Aluminium |
| 重量 | 2.01 g |
| 直径 | 25 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | KM#12 |
| 正面描述 | National Coat of Arms, denomination below |
|---|---|
| 正面文字 | Hangul |
| 正面铭文 |
조선민주주의인민공화국중앙은행 50 전 (Translation: Central Bank of the Democratic People`s Republic of Korea, 50 Chon) |
| 背面描述 | The Chollima Statue on Mansu Hill in Pyongyang within radiant sun, star left, year below |
| 背面文字 | |
| 背面铭文 | ★ 1978 |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
1978 - - |
| Numisquare 编号 | 3295748010 |
| 附加信息 |
Historical Context: Issued in 1978 under Kim Il-sung, this 50 Chon coin reflects North Korea's unique Cold War international relations. Designated for "Socialist visitors," it formed part of a controlled currency system managing economic interactions with foreign nationals from allied socialist states. This issuance highlights the nation's Juche ideology, emphasizing self-reliance while carefully curating external engagement, a fascinating numismatic artifact of an insular state.
Artistry: Specific engraver details are unrecorded, but the design adheres to Socialist Realism principles. The obverse features the Democratic People's Republic of Korea's national emblem, symbolically representing industry and revolutionary spirit. The reverse displays the "50 Chon" denomination, often with a prominent five-pointed star, a universal socialist symbol. The aesthetic prioritizes clarity and purpose, subtly conveying national identity and socialist ideals to its intended foreign users.
Technical/Grading: Struck in lightweight aluminium (2.01 gg, 25 mmmm), this coin is prone to handling marks, making high-grade examples scarce. Key high-points include fine details within the national emblem, such as the hydroelectric dam and sun's rays. On the reverse, the star's points and numeral crispness indicate strike quality. Collectors should prioritize pieces with minimal contact marks and a well-preserved, even surface, as aluminium often lacks strong original luster.