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50 Centimes Without Arabic text
| Emittent | Chambre de Commerce de Philippeville |
|---|---|
| Jahr | 1914 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 50 Centimes (0.50) |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Printed in red with a yellow-blue underprint; the note carries black serial numbers. Two seated allegorical female figures appear at the left and right flanking the central text, within a decorative border. Signature lines for the President and the Secretary-Treasurer are printed below the denomination. |
|---|---|
| Vorderseitenlegende | CHAMBRE DE COMMERCE DE PHILIPPEVILLE Cinquante Centimes Le Président Le Secrétaire Trésorier |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Philippeville — now Skikda, Algeria — was an Algerian port city under French administration when this note was produced. The Chambre de Commerce issues of 1914 were emergency small-change substitutes, filling a gap created by the hoarding and disappearance of coin at the outbreak of war. Moullot fils aîné was a well-established Marseille commercial printer, not a specialist security printer, which shows in these notes — they were functional documents, not hardened against forgery.
The absence of Arabic text distinguishes this from related issues in the same series that carried bilingual text as a concession to the local population. That omission was a deliberate editorial choice, not an oversight.