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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Central field depicts a half-length frontal figure of the Virgin Mary, nimbed with a halo of stars, draped and shown with hands raised in a devotional pose, referencing the Madonna of Parma. The legend VITAM PREST·PUR· arcs around the upper portion of the field, while the denomination SOLD·V· is inscribed in the lower exergue below the figure. The rim is decorated with a beaded border. The devotional imagery reflects the strong Catholic patronage of the Farnese-Bourbon dynasty of Parma. |
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| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Ferdinando di Borbone ruled Parma as a Spanish Bourbon client state under heavy influence from his mother, Luisa Elisabetta of France, and later under the suffocating oversight of his wife, Maria Amalia of Austria — a direct daughter of Maria Theresa. The duchy's monetary output during this period was modest almost to the point of irrelevance, its tiny billon issues serving a local economy that Habsburg and French interests treated as peripheral at best. The two-year window for this type reflects either a policy adjustment or a minting interruption consistent with Parma's chronically underfunded treasury.