カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Central field depicts a half-length frontal figure of the Virgin Mary, nimbed with a halo of stars, draped and shown with hands raised in a devotional pose, referencing the Madonna of Parma. The legend VITAM PREST·PUR· arcs around the upper portion of the field, while the denomination SOLD·V· is inscribed in the lower exergue below the figure. The rim is decorated with a beaded border. The devotional imagery reflects the strong Catholic patronage of the Farnese-Bourbon dynasty of Parma. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Ferdinando di Borbone ruled Parma as a Spanish Bourbon client state under heavy influence from his mother, Luisa Elisabetta of France, and later under the suffocating oversight of his wife, Maria Amalia of Austria — a direct daughter of Maria Theresa. The duchy's monetary output during this period was modest almost to the point of irrelevance, its tiny billon issues serving a local economy that Habsburg and French interests treated as peripheral at best. The two-year window for this type reflects either a policy adjustment or a minting interruption consistent with Parma's chronically underfunded treasury.