目录
| 发行方 | Aachen, City of |
|---|---|
| 年份 | 1920 |
| 类型 | Emergency coin |
| 面值 | 3 Mark |
| 货币 | Mark (1914-1924) |
| 材质 | Brass |
| 重量 | |
| 直径 | 25.5 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Funck#1.18 |
| 正面描述 | |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | Stadt Aachen 3 M 1920 |
| 背面描述 | |
| 背面文字 | Latin |
| 背面铭文 | Alfred Rethel 1816-1859 |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
1920 - F#1.18 - 10 230 |
| Numisquare 编号 | 5446847290 |
| 附加信息 |
Historical Context: Issued by the City of Aachen in 1920, this 3 Mark piece belongs to the widespread Notgeld (emergency money) phenomenon in post-World War I Germany. Amidst the economic turmoil and hyperinflation of the nascent Weimar Republic, municipalities like Aachen issued their own currency to maintain local commerce. This particular coin honors Alfred Rethel (1816-1859), a renowned historical painter born in Aachen, reflecting a common Notgeld practice of celebrating local heroes or landmarks to foster civic pride and trust in the emergency issues.
Artistry: The obverse of this brass coin features a dignified portrait bust of Alfred Rethel, typically facing left, rendered in a commemorative style characteristic of early 20th-century German medallic art. While the specific engraver is often unrecorded for such municipal Notgeld, the design exhibits a clear, albeit somewhat utilitarian, approach to portraiture. The reverse typically displays the denomination '3 MARK' and 'STADT AACHEN' along with the year, often accompanied by decorative elements like oak leaves, signifying strength and tradition within a period of national uncertainty.
Technical/Grading: Struck in brass with a diameter of 25.5 mm, this Notgeld piece often displays varying strike quality, a common characteristic of emergency issues. Key high-points for grading include the details of Rethel's hair, cheekbone, and the definition of his collar. On the reverse, the sharpness of the lettering and numerical digits, along with any decorative motifs, are critical. Due to the brass composition and the exigencies of production, specimens can range from weakly struck to well-detailed, with wear frequently observed on the highest relief areas.