3 Mark - Aachen Alfred Rethel

صادرکننده Aachen, City of
سال 1920
نوع Emergency coin
ارزش 3 Mark
واحد پول Mark (1914-1924)
ترکیب Brass
وزن
قطر 25.5 mm
ضخامت
شکل Round
تکنیک Milled
جهت Medal alignment ↑↑
حکاک(ها)
در گردش تا
مرجع(ها) Funck#1.18
توضیحات روی سکه
خط روی سکه Latin
نوشته‌های روی سکه Stadt Aachen 3 M 1920
توضیحات پشت سکه
خط پشت سکه Latin
نوشته‌های پشت سکه Alfred Rethel 1816-1859
لبه
ضرابخانه
تیراژ ضرب 1920 - F#1.18 - 10 230
شناسه Numisquare 5446847290
اطلاعات تکمیلی

Historical Context: Issued by the City of Aachen in 1920, this 3 Mark piece belongs to the widespread Notgeld (emergency money) phenomenon in post-World War I Germany. Amidst the economic turmoil and hyperinflation of the nascent Weimar Republic, municipalities like Aachen issued their own currency to maintain local commerce. This particular coin honors Alfred Rethel (1816-1859), a renowned historical painter born in Aachen, reflecting a common Notgeld practice of celebrating local heroes or landmarks to foster civic pride and trust in the emergency issues.

Artistry: The obverse of this brass coin features a dignified portrait bust of Alfred Rethel, typically facing left, rendered in a commemorative style characteristic of early 20th-century German medallic art. While the specific engraver is often unrecorded for such municipal Notgeld, the design exhibits a clear, albeit somewhat utilitarian, approach to portraiture. The reverse typically displays the denomination '3 MARK' and 'STADT AACHEN' along with the year, often accompanied by decorative elements like oak leaves, signifying strength and tradition within a period of national uncertainty.

Technical/Grading: Struck in brass with a diameter of 25.5 mm, this Notgeld piece often displays varying strike quality, a common characteristic of emergency issues. Key high-points for grading include the details of Rethel's hair, cheekbone, and the definition of his collar. On the reverse, the sharpness of the lettering and numerical digits, along with any decorative motifs, are critical. Due to the brass composition and the exigencies of production, specimens can range from weakly struck to well-detailed, with wear frequently observed on the highest relief areas.

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