3 Mark - Aachen Alfred Rethel

İhraççı Aachen, City of
Yıl 1920
Tür Emergency coin
Değer 3 Mark
Para birimi Mark (1914-1924)
Bileşim Brass
Ağırlık
Çap 25.5 mm
Kalınlık
Şekil Round
Teknik Milled
Yönlendirme Medal alignment ↑↑
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) Funck#1.18
Ön yüz açıklaması
Ön yüz yazısı Latin
Ön yüz lejandı Stadt Aachen 3 M 1920
Arka yüz açıklaması
Arka yüz yazısı Latin
Arka yüz lejandı Alfred Rethel 1816-1859
Kenar
Darphane
Basma adedi 1920 - F#1.18 - 10 230
Numisquare Kimliği 5446847290
Ek bilgiler

Historical Context: Issued by the City of Aachen in 1920, this 3 Mark piece belongs to the widespread Notgeld (emergency money) phenomenon in post-World War I Germany. Amidst the economic turmoil and hyperinflation of the nascent Weimar Republic, municipalities like Aachen issued their own currency to maintain local commerce. This particular coin honors Alfred Rethel (1816-1859), a renowned historical painter born in Aachen, reflecting a common Notgeld practice of celebrating local heroes or landmarks to foster civic pride and trust in the emergency issues.

Artistry: The obverse of this brass coin features a dignified portrait bust of Alfred Rethel, typically facing left, rendered in a commemorative style characteristic of early 20th-century German medallic art. While the specific engraver is often unrecorded for such municipal Notgeld, the design exhibits a clear, albeit somewhat utilitarian, approach to portraiture. The reverse typically displays the denomination '3 MARK' and 'STADT AACHEN' along with the year, often accompanied by decorative elements like oak leaves, signifying strength and tradition within a period of national uncertainty.

Technical/Grading: Struck in brass with a diameter of 25.5 mm, this Notgeld piece often displays varying strike quality, a common characteristic of emergency issues. Key high-points for grading include the details of Rethel's hair, cheekbone, and the definition of his collar. On the reverse, the sharpness of the lettering and numerical digits, along with any decorative motifs, are critical. Due to the brass composition and the exigencies of production, specimens can range from weakly struck to well-detailed, with wear frequently observed on the highest relief areas.

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