3 Mark - Aachen Alfred Rethel

Issuer Aachen, City of
Year 1920
Type Emergency coin
Value 3 Mark
Currency Mark (1914-1924)
Composition Brass
Weight
Diameter 25.5 mm
Thickness
Shape Round
Technique Milled
Orientation Medal alignment ↑↑
Engraver(s)
In circulation to
Reference(s) Funck#1.18
Obverse description
Obverse script Latin
Obverse lettering Stadt Aachen 3 M 1920
Reverse description
Reverse script Latin
Reverse lettering Alfred Rethel 1816-1859
Edge
Mint
Mintage 1920 - F#1.18 - 10 230
Numisquare ID 5446847290
Additional information

Historical Context: Issued by the City of Aachen in 1920, this 3 Mark piece belongs to the widespread Notgeld (emergency money) phenomenon in post-World War I Germany. Amidst the economic turmoil and hyperinflation of the nascent Weimar Republic, municipalities like Aachen issued their own currency to maintain local commerce. This particular coin honors Alfred Rethel (1816-1859), a renowned historical painter born in Aachen, reflecting a common Notgeld practice of celebrating local heroes or landmarks to foster civic pride and trust in the emergency issues.

Artistry: The obverse of this brass coin features a dignified portrait bust of Alfred Rethel, typically facing left, rendered in a commemorative style characteristic of early 20th-century German medallic art. While the specific engraver is often unrecorded for such municipal Notgeld, the design exhibits a clear, albeit somewhat utilitarian, approach to portraiture. The reverse typically displays the denomination '3 MARK' and 'STADT AACHEN' along with the year, often accompanied by decorative elements like oak leaves, signifying strength and tradition within a period of national uncertainty.

Technical/Grading: Struck in brass with a diameter of 25.5 mm, this Notgeld piece often displays varying strike quality, a common characteristic of emergency issues. Key high-points for grading include the details of Rethel's hair, cheekbone, and the definition of his collar. On the reverse, the sharpness of the lettering and numerical digits, along with any decorative motifs, are critical. Due to the brass composition and the exigencies of production, specimens can range from weakly struck to well-detailed, with wear frequently observed on the highest relief areas.

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