24 Kreuzer - Charles Günther, Louis Günther and Albert Günther

Uitgever Schwarzburg-Rudolstadt
Jaar 1622
Type Standard circulation coin
Waarde 24 Kreuzers (⅓)
Valuta Thaler (1621-1709)
Samenstelling Silver
Gewicht 3.38 g
Diameter 28.5 mm
Dikte
Vorm Round
Techniek
Oriëntatie
Graveur(s)
In omloop tot
Referentie(s)
Beschrijving voorzijde Shield of 4-fold arms, mintmark above.
Schrift voorzijde Latin
Opschrift voorzijde
Beschrijving keerzijde Crowned imperial eagle, large orb on breast with 24, date at end of legend.
Schrift keerzijde Latin
Opschrift keerzijde
Rand
Muntplaats L
Leutenberg, Germany
Oplage 1622 L - -
Numisquare-ID 1603102500
Aanvullende informatie

Historical Context: This 24 Kreuzer coin, issued in 1622 under the joint rule of Charles Günther, Louis Günther, and Albert Günther of Schwarzburg-Rudolstadt, emerged during the tumultuous early years of the Thirty Years' War (1618-1648). This period, known as the Kipper- und Wipperzeit, saw widespread monetary crisis and debasement across German states. Despite its silver composition, this issue reflects the prevailing economic instability, serving as a medium of exchange in an era of rapidly depreciating currency and fiscal uncertainty.

Artistry: The artistic execution of this 24 Kreuzer piece, likely by a local mint master, embodies a transitional style blending late Renaissance and nascent Baroque aesthetics. While specific engraver details are typically unrecorded, the design would have focused on dynastic representation. Common iconography for multi-ruler issues includes composite or individual busts of the ruling brothers, surrounded by their elaborate titles and the ducal coat of arms of Schwarzburg-Rudolstadt, often featuring the Schwarzburg eagle and other armorial elements. The overall impression would be one of sober authority, typical of princely coinage.

Technical/Grading: Struck in silver (3.38 grams, 28.5 millimeters), this coin exhibits characteristics typical of early 17th-century minting. High-points for wear or strike quality include the highest relief areas of any portraiture, such as hair and facial features, and intricate details within the ducal arms. Due to manual striking methods, expect variations in strike pressure, potentially leading to areas of weakness, particularly at the periphery. Planchet irregularities, such as minor laminations or an uneven flan, are also common. A well-preserved example would show sharp detail on legends and central motifs, indicating a strong initial strike.

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