24 Kreuzer - Charles Günther, Louis Günther and Albert Günther

Issuer Schwarzburg-Rudolstadt
Year 1622
Type Standard circulation coin
Value 24 Kreuzers (⅓)
Currency Thaler (1621-1709)
Composition Silver
Weight 3.38 g
Diameter 28.5 mm
Thickness
Shape Round
Technique
Orientation
Engraver(s)
In circulation to
Reference(s)
Obverse description Shield of 4-fold arms, mintmark above.
Obverse script Latin
Obverse lettering
Reverse description Crowned imperial eagle, large orb on breast with 24, date at end of legend.
Reverse script Latin
Reverse lettering
Edge
Mint L
Leutenberg, Germany
Mintage 1622 L - -
Numisquare ID 1603102500
Additional information

Historical Context: This 24 Kreuzer coin, issued in 1622 under the joint rule of Charles Günther, Louis Günther, and Albert Günther of Schwarzburg-Rudolstadt, emerged during the tumultuous early years of the Thirty Years' War (1618-1648). This period, known as the Kipper- und Wipperzeit, saw widespread monetary crisis and debasement across German states. Despite its silver composition, this issue reflects the prevailing economic instability, serving as a medium of exchange in an era of rapidly depreciating currency and fiscal uncertainty.

Artistry: The artistic execution of this 24 Kreuzer piece, likely by a local mint master, embodies a transitional style blending late Renaissance and nascent Baroque aesthetics. While specific engraver details are typically unrecorded, the design would have focused on dynastic representation. Common iconography for multi-ruler issues includes composite or individual busts of the ruling brothers, surrounded by their elaborate titles and the ducal coat of arms of Schwarzburg-Rudolstadt, often featuring the Schwarzburg eagle and other armorial elements. The overall impression would be one of sober authority, typical of princely coinage.

Technical/Grading: Struck in silver (3.38 grams, 28.5 millimeters), this coin exhibits characteristics typical of early 17th-century minting. High-points for wear or strike quality include the highest relief areas of any portraiture, such as hair and facial features, and intricate details within the ducal arms. Due to manual striking methods, expect variations in strike pressure, potentially leading to areas of weakness, particularly at the periphery. Planchet irregularities, such as minor laminations or an uneven flan, are also common. A well-preserved example would show sharp detail on legends and central motifs, indicating a strong initial strike.

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