Æ21 - Iarbas

Emissor Numidia
Ano 88 BC - 81 BC
Tipo Standard circulation coin
Valor
Moeda Eastern Numidia from Micipsa`s death to the Roman annexation (118 BC-46 BC)
Composição Bronze
Peso 5.55 g
Diâmetro 21 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação
Gravador(es)
Em circulação até
Referência(s) CNNM#95
Descrição do anverso Male head right.
Escrita do anverso
Legenda do anverso
Descrição do reverso Head of Africa right, wearing elephant skin headdress.
Escrita do reverso
Legenda do reverso
Bordo
Casa da moeda
Tiragem ND (88 BC - 81 BC) - -
ID Numisquare 5242778440
Informações adicionais

Historical Context: This Æ21 coin, issued by Numidia during 88-81 BC, represents the tumultuous reign of King Iarbas. Installed as a client ruler by the Roman general Gnaeus Pompeius Strabo amidst the Marian-Sullan civil wars, Iarbas’s brief period on the throne was marked by significant Roman intervention in Numidian affairs. His rule was a precarious balance, reliant on Roman patronage against rivals like Hiempsal II. The coinage from this era underscores Numidia's diminished autonomy, caught between powerful Roman factions vying for control over North Africa's strategic resources and alliances.

Artistry: While the specific engraver remains anonymous, this Æ21 piece reflects the prevailing Hellenistic stylistic school, adapted with local Numidian characteristics. Obverse designs typically feature a diademed portrait of King Iarbas, rendered with a degree of individualized realism common in royal portraiture of the period. The reverse often displays indigenous symbols such as a horse, a prominent emblem of Numidian identity and cavalry, or Punic legends, asserting a cultural continuity despite Roman political dominance. The overall aesthetic aims to convey royal authority and a sense of enduring Numidian heritage.

Technical/Grading: Struck on a bronze flan weighing 5.55 grams and measuring 21 millimeters, this Æ21 coin exhibits typical production qualities for Numidian bronzes of the period. High-points for the obverse portrait include the diadem, hair, and facial features, while reverse details like the horse’s musculature or mane constitute its high-points. Examples with a strong, centered strike and minimal die wear are highly prized, as many surviving specimens show common issues such as off-center strikes, weak impressions, or irregular flan shapes, which can obscure crucial design elements and legends.

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