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200 Dollars - Elizabeth II Peace Dollar
| Emittent | Royal Canadian Mint |
|---|---|
| Jahr | 2024 |
| Typ | Non-circulating coin |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
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| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
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| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | The reverse is struck in ultra high relief and features an allegorical figure of Peace rendered as a classical Lady Peace in profile, her hair crowned with a wreath of intertwined olive branches and maple leaves. Selective platinum plating highlights the allegorical figure, while the surrounding field displays an intricate patterned background derived from the olive and maple leaf motif of the crown. The Latin motto 'A MARI USQUE AD MARE' arcs across the design, accompanied by the word 'PAX' (Peace) and the year '2024' in the field. The engraver's initials 'ST' appear discretely within the design. The combination of ultra high relief striking and the contrasting platinum and gold surfaces creates a pronounced sculptural effect befitting this commemorative issue. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | A MARI USQUE AD MARE PAX 2024 ST (Translation: From Sea to Sea Peace) |
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| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The Royal Canadian Mint's habit of issuing gold tributes to iconic American coin designs occupies a peculiar corner of the numismatic market — these are neither replicas nor originals, but licensed commemoratives that exist primarily because collector demand for the Peace Dollar aesthetic consistently outstrips what the U.S. Mint itself produces. The platinum plating over .9999 gold is an unusual technical choice, applied to evoke the silver appearance of the 1921 prototype relief without sacrificing the underlying metal value.
Anthony de Francisci's original design was approved under pressure from the newly formed Commission of Fine Arts in late 1921, with striking commencing just days before the calendar year closed.