20 Mark - Frederick August III
| Emittente | Saxony (Albertinian Line), Kingdom of |
|---|---|
| Anno | 1905 |
| Tipo | Coin pattern |
| Valore | 20 Mark |
| Valuta | Mark (1872-1917) |
| Composizione | Copper |
| Peso | 4.06 g |
| Diametro | 22.40 mm |
| Spessore | |
| Forma | Round |
| Tecnica | Milled |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | KM#PnA78 |
| Descrizione del dritto | Bust of Friedrich August III facing right. |
|---|---|
| Scrittura del dritto | Latin |
| Legenda del dritto | FRIEDRICH AUGUST V. SACHSEN |
| Descrizione del rovescio | Crowned imperial eagle, date and denomination in legend. |
| Scrittura del rovescio | Latin |
| Legenda del rovescio | DEUTSCHES REICH 1905 * 20 MARK * |
| Bordo | |
| Zecca | |
| Tiratura |
1905 E - - |
| ID Numisquare | 1425289790 |
| Informazioni aggiuntive |
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Historical Context: This 1905 20 Mark copper pattern offers insight into the Kingdom of Saxony under Frederick August III, its final monarch. As a German Empire constituent state, standard 20 Mark coinage was exclusively gold. This copper essai (KM#PnA78) signifies a trial striking or experimental non-precious metal issue. It provides a rare glimpse into monetary considerations during the period preceding World War I, highlighting an unusual departure from Imperial practices.
Artistry: The obverse would feature a dignified portrait of Frederick August III, typical of early 20th-century German realism, blending neoclassical formality and precise detail. Skilled mint medallists executed such designs. The reverse would likely display the standard German Imperial eagle, common on constituent state coinage, or a distinctive Saxon motif, meticulously sculpted, conveying regional identity and imperial allegiance.
Technical/Grading: As a pattern, this copper 20 Mark typically boasts a superior, often proof-like, strike quality, revealing full detail, e.g., King's hair, eagle's plumage. The copper composition (4.06 gg, 22.40 mm) is crucial for authentication, differentiating it from gold issues. Prioritize a sharp strike and well-preserved fields; copper is prone to toning and handling marks. Minimal imperfections are paramount for high-grade examples.