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| Emittent | Reserve Bank of Fiji |
|---|---|
| Jahr | 1974-1978 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Thomas De La Rue & Company, London, United Kingdom |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | At centre-right, a formal portrait of Queen Elizabeth II executed after the Annigoni design, framed against a light guilloche underprint. The Fijian Coat of Arms appears to the left of the portrait. The denomination is indicated in the upper-left and upper-right corners. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Barnes & Craik Barnes & Earland Barnes & Tomkins |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Pietro Annigoni's involvement is the unusual element here. The Florentine painter — best known for his 1955 portrait of Elizabeth II commissioned by the Worshipful Company of Fishmongers — provided the royal likeness that De La Rue adapted for several Commonwealth note series during this period. Fiji was among a handful of Pacific territories that received the design in the mid-1970s as decolonizing nations navigated the pragmatic question of whom to trust with their currency printing.
Three signature combinations appear across the series, reflecting staff turnover at the Reserve Bank rather than any reissue or policy change. Barnes held the Governor position throughout, with the countersigning officer changing twice.