目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Central high-relief sculptural composition depicts Lady Godiva nude, seated atop a bridled horse shown in three-quarter view to the left, her long flowing hair draped over her body, one arm raised to her bowed head in a pose of modesty and introspection. The figure is rendered with exceptional sculptural depth and a contrasting polished finish against the darkened field, evoking the aesthetic of classical marble sculpture. The upper field bears the series legend ETERNAL SCULPTURES II 'LADY GODIVA' accompanied by a small silhouette of a standing female figure. The broad border is adorned with an elaborate acanthus-leaf scrollwork design in antique finish. The date MMXXIV appears in a cartouche at the base of the design. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Reeded |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Lady Godiva's famous ride through Coventry — recorded by chroniclers from the 13th century onward but possibly rooted in an 11th-century noblewoman named Godgifu, wife of Leofric, Earl of Mercia — has no direct connection to Palau, a Pacific island nation that has built one of the more aggressive commemorative programs among modern sovereign mints. Palau regularly licenses its minting authority to European producers, primarily in Poland and Austria, for high-relief collector pieces aimed squarely at the themed silver market.
The KM#1019 reference places this within a catalogued series rather than an ad hoc issue.