20 Cents

发行方 French Indochina
年份 1885-1895
类型 Standard circulation coin
面值 20 Cents (20 centièmes) (0.20 ICFP)
货币 Piastre (1880-1952)
材质 Silver (.900)
重量 5.443 g
直径 26 mm
厚度 1.3 mm
形状 Round
制作工艺 Milled
方向 Coin alignment ↑↓
雕刻师 Jean-Auguste Barre
流通至
参考资料 KM#3
正面描述 Marianne seated left with fasces, date in exergue
正面文字 Latin
正面铭文 REPUBLIQUE FRANÇAISE 1889 BARRE
(Translation: French Republic)
背面描述 Denomination within wreath
背面文字 Latin
背面铭文 · INDO-CHINE FRANÇAISE · 20 CENT. TITRE 0.900.POIDS 5.443.
(Translation: French Indochina 0.900 purity, 5.443 grams)
边缘 Reeded
铸币厂 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
铸造量 1885 - - 1 280 000
1885 - Proof -
1887 - - 250 000
1887 - Proof -
1889 - Proof - 100
1892 - - 200 000
1893 - - 200 000
1894 - - 250 000
1895 - - 300 000
Numisquare 编号 5980344460
附加信息

Historical Context: Issued by French Indochina (1885-1895), this 20 Cents coin circulated during the consolidation of French colonial power in Southeast Asia under the Third Republic. This era saw the Indochinese Union's formal establishment in 1887, integrating protectorates and colonies. The coin served as a crucial instrument for economic control, facilitating commerce and administration within the burgeoning colonial economy, symbolizing French sovereignty and its monetary system.

Artistry: The coin's design exemplifies the neoclassical style prevalent in French governmental coinage of the late 19th century. While a specific engraver for this colonial issue is not universally attributed, the style is characteristic of the Paris Mint, likely influenced by masters like Henri-Auguste-Jules Patey. The obverse features a finely rendered laureate bust of Marianne, personifying France, encircled by "REPUBLIQUE FRANCAISE." The reverse displays "20 CENTS" within an ornate wreath, framed by "INDO-CHINE FRANCAISE" and the date.

Technical/Grading: Struck in .900 fine silver, this coin measures 26 mm and weighs 5.443 grams. Key high-points for assessing wear include the hair details above Marianne's ear, the laurel leaves in her wreath, and her shoulder's highest points. On the reverse, the central elements of the wreath and the crispness of the lettering are crucial. Strikes from the Paris Mint were generally of good quality, though circulation wear often first softens these intricate details.

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