Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

20 Centavos

Uitgever Banco Nacional de los Estados Unidos de Colombia
Jaar 1880
Type Log in om details te zien
Waarde 20 Centavos (0.20 COP)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Black letterpress print on white paper. A central engraved vignette presents a bust portrait of Rafael Núñez facing three-quarters left, framed by radiating decorative scrollwork. The bank title arches across the upper field in bold display lettering, flanked by two circular guilloche medallions bearing the numeral 20 in the upper corners, with repeated 20 numerals forming a continuous guilloche border on all four sides. Three manuscript signatures appear at the lower portion above the titles DIRECTOR 1o, DIRECTOR GERENTE, and DIRECTOR 2o, with the printer's imprint IMP.LE CHAIX along the bottom margin.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Orange print. Two rounded seals with 20 inside; oval stamp of National Bank; order number at top.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The Banco Nacional de los Estados Unidos de Colombia was established by law in 1880, making this 20 Centavos note effectively a founding-year issue. Colombia's federal banking experiments of this period were chronically short-lived — the Banco Nacional itself would be liquidated by 1894 after repeated conflicts between the national government and private banking interests over note issuance monopolies.

Imprimerie Chaix was primarily a commercial and poster printer in Paris, far better known for railway timetables and Belle Époque advertising work than for currency. Its appearance on a Latin American banknote contract is unusual and suggests the commission was won on price rather than specialist pedigree.