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20 Centavos
| Emittent | Banco Nacional de los Estados Unidos de Colombia |
|---|---|
| Jahr | 1880 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 20 Centavos (0.20 COP) |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Black letterpress print on white paper. A central engraved vignette presents a bust portrait of Rafael Núñez facing three-quarters left, framed by radiating decorative scrollwork. The bank title arches across the upper field in bold display lettering, flanked by two circular guilloche medallions bearing the numeral 20 in the upper corners, with repeated 20 numerals forming a continuous guilloche border on all four sides. Three manuscript signatures appear at the lower portion above the titles DIRECTOR 1o, DIRECTOR GERENTE, and DIRECTOR 2o, with the printer's imprint IMP.LE CHAIX along the bottom margin. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Orange print. Two rounded seals with 20 inside; oval stamp of National Bank; order number at top. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Banco Nacional de los Estados Unidos de Colombia was established by law in 1880, making this 20 Centavos note effectively a founding-year issue. Colombia's federal banking experiments of this period were chronically short-lived — the Banco Nacional itself would be liquidated by 1894 after repeated conflicts between the national government and private banking interests over note issuance monopolies.
Imprimerie Chaix was primarily a commercial and poster printer in Paris, far better known for railway timetables and Belle Époque advertising work than for currency. Its appearance on a Latin American banknote contract is unusual and suggests the commission was won on price rather than specialist pedigree.