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20 000 Bara Association of numismatists, philatelists and friends
| Uitgever | Udruga Numizmatičara Filatelista i Prijatelja Starina Baranje |
|---|---|
| Jaar | 2012 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | D. Bartolović, M. Ivezić, I. Grdošić, A. Bošnjak, S. Benak Šemenjata |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Brown-toned vignette at left with a portrait of linguist Stjepan Sekereš seated at a desk. At centre-right, a guilloche oval underprint frames the denomination numeral 20000, with the currency name BARA below. Rope-style border frames the entire note; issuing association name appears in two lines at upper right. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | 20000 20000 NIJE SREDSTVO PLAĆANJA SAMO U SVRHU KOLEKCIONARSTVA 20000 BARA 20000 20000 DESIGN: D. BARTOLOVIĆ, M. IVEZIĆ, I. GRDOŠIĆ, A. BOŠNJAK, S. BENAK ŠEMENJATA |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
A privately issued collectors' piece from the Baranja region of Croatia, produced by a specialist hobbyist association rather than any monetary authority. Notes of this type — sometimes called "local fantasy currency" in the trade — carry no legal tender status and were never intended to circulate. They exist primarily as collectibles sold or distributed at club events, making them documents of regional numismatic culture rather than economic history.
Five named designers is unusual for a piece this modest in scope, suggesting the association treated it as a genuine collaborative production project.