Catálogo
| Emisor | Chur, Bishopric of |
|---|---|
| Año | 1503-1541 |
| Tipo | Standard circulation coin |
| Valor | 2 Kreuzer = 1/2 Batzen (1⁄45) |
| Moneda | Groschen (1251-1565) |
| Composición | Silver |
| Peso | 1.50 g |
| Diámetro | 21 mm |
| Grosor | |
| Forma | Round |
| Técnica | |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | HMZ 1#2-381a |
| Descripción del anverso | Four-fold arms within circle. |
|---|---|
| Escritura del anverso | Latin (uncial) |
| Leyenda del anverso | * MONETA : EPI : CVRIEN : |
| Descripción del reverso | Full figure of Madonna facing right with child. |
| Escritura del reverso | Latin (uncial) |
| Leyenda del reverso | AVE REGINA CELORVM |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1503-1541) - - |
| ID de Numisquare | 5152037630 |
| Información adicional |
Historical Context: This 2 Kreuzers coin was issued by the Bishopric of Chur under Paul Ziegler, whose episcopacy spanned 1503-1541. Ziegler's long reign coincided with a tumultuous period in Central Europe, marked by the nascent Reformation and shifting political alliances within the Holy Roman Empire and the burgeoning Swiss Confederacy. As a prince-bishop, Ziegler wielded significant temporal and spiritual authority, and the minting of such silver coinage underscored his sovereign rights and the economic autonomy of the Chur diocese.
Artistry: The design reflects prevalent late Gothic and early Renaissance stylistic conventions. While a specific engraver is rarely documented, the artistry was executed by a local mint master. The obverse typically features the bishop's armorial bearings, often with a mitre or crozier, symbolizing ecclesiastical and temporal power. The reverse commonly displays a cross or other religious iconography, along with the denomination, rendered with a functional rather than elaborate aesthetic.
Technical/Grading: Struck in silver, this 2 Kreuzers coin, weighing 1.50 grams and measuring 21 mm, often exhibits characteristics typical of early 16th-century minting. High-points susceptible to wear or weak strike include the raised details of the bishop's heraldry, the mitre's intricacies, and central elements of any cross design. Planchet irregularities, such as uneven thickness or irregular shapes, are common. The strike itself can vary, with partial details, particularly on legends or peripheral motifs, not uncommon due to variable striking pressure.