2 Francs Piefort Essai

发行方 French West Africa
年份 1948
类型 Coin pattern
面值 2 Francs (2 FCFA)
货币 CFA franc (1944-1958)
材质 Aluminium
重量
直径 27 mm
厚度
形状 Round
制作工艺 Milled
方向 Coin alignment ↑↓
雕刻师 Lucien Georges Bazor
流通至
参考资料 KM#PE2
正面描述 Marianne`s head, facing left, wearing a winged Phrygian cap. Several ships in the background. Date below exergue line, followed by privy mark.
正面文字 Latin
正面铭文 REPUBLIQUE FRANÇAISE UNION FRANÇAISE L.BAZOR GB ESSAI 1948
(Translation: French Republic / French Union Trial)
背面描述 Leptoceros gazelle head facing divides denomination, various crops.
背面文字 Latin
背面铭文 2 F. AFRIQUE OCCIDENTALE FRANÇAISE
(Translation: French West Africa)
边缘 Plain.
铸币厂 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
铸造量 1948 - - 104
Numisquare 编号 2206645420
附加信息

Historical Context: The 1948 2 Francs Piefort Essai from French West Africa originates from the immediate post-World War II period, under the nascent French Fourth Republic (1946-1958). This era saw France focused on reconstruction and maintaining its vast colonial empire, including French West Africa (AOF). The "Essai" (pattern) and "Piefort" (double thickness) nature signifies a phase of monetary re-evaluation and design finalization for colonial territories, reflecting efforts to standardize currency and project French authority.

Artistry: While the specific engraver for this Essai is often uncredited, its design adheres to the established French Republican stylistic school. French colonial coinage typically featured allegorical representations of France, such as Marianne, or symbols of industry and agriculture, alongside the denomination and issuing authority. The artistic intent was to convey French sovereignty and economic stability through a clear, classical, and utilitarian aesthetic, ensuring legibility and a dignified presentation suitable for official currency.

Technical/Grading: Struck in lightweight aluminium and measuring 27mm, this Piefort Essai exhibits distinctive technical characteristics. As a Piefort, it possesses double the standard thickness, often resulting in a particularly sharp and full strike compared to circulation counterparts, due to greater striking pressure. Key high-points for grading include crispness of legends, definition of central motifs, and rim integrity. Aluminium generally retains strike details well, making surface preservation paramount for high grades.

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