2 Francs Piefort Essai

発行体 French West Africa
年号 1948
種類 Coin pattern
額面 2 Francs (2 FCFA)
通貨 CFA franc (1944-1958)
材質 Aluminium
重量
直径 27 mm
厚さ
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Lucien Georges Bazor
流通終了年
参考文献 KM#PE2
表面の説明 Marianne`s head, facing left, wearing a winged Phrygian cap. Several ships in the background. Date below exergue line, followed by privy mark.
表面の文字体系 Latin
表面の銘文 REPUBLIQUE FRANÇAISE UNION FRANÇAISE L.BAZOR GB ESSAI 1948
(Translation: French Republic / French Union Trial)
裏面の説明 Leptoceros gazelle head facing divides denomination, various crops.
裏面の文字体系 Latin
裏面の銘文 2 F. AFRIQUE OCCIDENTALE FRANÇAISE
(Translation: French West Africa)
Plain.
鋳造所 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 1948 - - 104
Numisquare ID 2206645420
追加情報

Historical Context: The 1948 2 Francs Piefort Essai from French West Africa originates from the immediate post-World War II period, under the nascent French Fourth Republic (1946-1958). This era saw France focused on reconstruction and maintaining its vast colonial empire, including French West Africa (AOF). The "Essai" (pattern) and "Piefort" (double thickness) nature signifies a phase of monetary re-evaluation and design finalization for colonial territories, reflecting efforts to standardize currency and project French authority.

Artistry: While the specific engraver for this Essai is often uncredited, its design adheres to the established French Republican stylistic school. French colonial coinage typically featured allegorical representations of France, such as Marianne, or symbols of industry and agriculture, alongside the denomination and issuing authority. The artistic intent was to convey French sovereignty and economic stability through a clear, classical, and utilitarian aesthetic, ensuring legibility and a dignified presentation suitable for official currency.

Technical/Grading: Struck in lightweight aluminium and measuring 27mm, this Piefort Essai exhibits distinctive technical characteristics. As a Piefort, it possesses double the standard thickness, often resulting in a particularly sharp and full strike compared to circulation counterparts, due to greater striking pressure. Key high-points for grading include crispness of legends, definition of central motifs, and rim integrity. Aluminium generally retains strike details well, making surface preservation paramount for high grades.

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