Æ16

Đơn vị phát hành Tomis
Năm 260 BC - 200 BC
Loại Standard circulation coin
Mệnh giá
Tiền tệ Drachm
Chất liệu Bronze
Trọng lượng 2.43 g
Đường kính 16 mm
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng Variable alignment ↺
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo AMNG I-II#2433
Mô tả mặt trước Head of Hermes right, wearing petasos.
Chữ viết mặt trước
Chữ khắc mặt trước
Mô tả mặt sau Kerykeion; ΤΟ-ΜΙ across upper fields, ΜΕ-ΝΙ below.
Chữ viết mặt sau Greek
Chữ khắc mặt sau ΤΟ ΜΙ ΜΕ ΝΙ
Cạnh
Xưởng đúc
Số lượng đúc ND (260 BC - 200 BC) - -
ID Numisquare 9351084960
Thông tin bổ sung

Historical Context: This Æ16, issued by the Greek city of Tomis on the Black Sea coast, dates from approximately 260 BC to 200 BC. This period falls within the broader Hellenistic era, a time when independent poleis like Tomis navigated a complex geopolitical landscape, often caught between the ambitions of larger Hellenistic kingdoms and local tribal powers. The issuance of this bronze coinage underscores Tomis's economic autonomy and its role as a vital trading hub along the Pontus Euxinus, facilitating local commerce and asserting its civic identity in a region characterized by dynamic cultural and political interactions.

Artistry: The artistry of this Æ16, while not attributable to a specific engraver, is characteristic of the Pontic Hellenistic numismatic school. Typically, the obverse would feature the head of a prominent deity, often Apollo or Tyche, rendered in a classical Greek style adapted for the smaller flan size. The reverse commonly displays a civic emblem or symbol pertinent to Tomis, such as an eagle or a tripod, often accompanied by the city's ethnic. The stylistic execution, while utilitarian for a bronze denomination, reflects the pervasive artistic conventions of the Hellenistic world, prioritizing clear iconographic identification.

Technical/Grading: This bronze Æ16, weighing 2.43 grams and measuring 16 millimeters, generally exhibits the fabric typical of provincial Hellenistic bronze issues. Key high-points for a deity's portrait would include the hair, forehead, and prominent facial features like the nose. For a reverse symbol, the central elements would constitute the highest points. Strikes can vary, often showing minor off-centering or uneven pressure due to the manufacturing process. However, well-preserved examples with good metal quality and minimal circulation wear can reveal surprising detail and a clear representation of the intended design.

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