Æ16

Emittente Tomis
Anno 260 BC - 200 BC
Tipo Standard circulation coin
Valore
Valuta Drachm
Composizione Bronze
Peso 2.43 g
Diametro 16 mm
Spessore
Forma Round (irregular)
Tecnica Hammered
Orientamento Variable alignment ↺
Incisore/i
In circolazione fino al
Riferimento/i AMNG I-II#2433
Descrizione del dritto Head of Hermes right, wearing petasos.
Scrittura del dritto
Legenda del dritto
Descrizione del rovescio Kerykeion; ΤΟ-ΜΙ across upper fields, ΜΕ-ΝΙ below.
Scrittura del rovescio Greek
Legenda del rovescio ΤΟ ΜΙ ΜΕ ΝΙ
Bordo
Zecca
Tiratura ND (260 BC - 200 BC) - -
ID Numisquare 9351084960
Informazioni aggiuntive

Historical Context: This Æ16, issued by the Greek city of Tomis on the Black Sea coast, dates from approximately 260 BC to 200 BC. This period falls within the broader Hellenistic era, a time when independent poleis like Tomis navigated a complex geopolitical landscape, often caught between the ambitions of larger Hellenistic kingdoms and local tribal powers. The issuance of this bronze coinage underscores Tomis's economic autonomy and its role as a vital trading hub along the Pontus Euxinus, facilitating local commerce and asserting its civic identity in a region characterized by dynamic cultural and political interactions.

Artistry: The artistry of this Æ16, while not attributable to a specific engraver, is characteristic of the Pontic Hellenistic numismatic school. Typically, the obverse would feature the head of a prominent deity, often Apollo or Tyche, rendered in a classical Greek style adapted for the smaller flan size. The reverse commonly displays a civic emblem or symbol pertinent to Tomis, such as an eagle or a tripod, often accompanied by the city's ethnic. The stylistic execution, while utilitarian for a bronze denomination, reflects the pervasive artistic conventions of the Hellenistic world, prioritizing clear iconographic identification.

Technical/Grading: This bronze Æ16, weighing 2.43 grams and measuring 16 millimeters, generally exhibits the fabric typical of provincial Hellenistic bronze issues. Key high-points for a deity's portrait would include the hair, forehead, and prominent facial features like the nose. For a reverse symbol, the central elements would constitute the highest points. Strikes can vary, often showing minor off-centering or uneven pressure due to the manufacturing process. However, well-preserved examples with good metal quality and minimal circulation wear can reveal surprising detail and a clear representation of the intended design.

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