Æ16

Đơn vị phát hành Sestos
Năm 300 BC
Loại Standard circulation coin
Mệnh giá
Tiền tệ Drachm
Chất liệu Bronze
Trọng lượng 5.88 g
Đường kính 16.0 mm
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo SNG Copenhagen#928-929
Mô tả mặt trước Head of Hermes facing left, wearing a petasos
Chữ viết mặt trước
Chữ khắc mặt trước
Mô tả mặt sau Demeter seated left, holding grain ears in extended right hand and with an amphora to left
Chữ viết mặt sau Greek
Chữ khắc mặt sau ΣΑ
Cạnh
Xưởng đúc
Số lượng đúc ND (-300) - -
ID Numisquare 5382833260
Thông tin bổ sung

Historical Context: This Æ16 coin from Sestos, issued around 300 BC, originates from a strategically vital city in the Thracian Chersonese, positioned on the Hellespont. This era falls within the tumultuous Hellenistic period, following Alexander the Great's death, where cities like Sestos navigated shifting allegiances amidst the Diadochi's wars. This bronze coinage served as a crucial instrument for local commerce and asserting civic identity, reflecting Sestos's self-governance and economic significance in a contested region.

Artistry: The engraver of this civic bronze issue remains anonymous, typical for the period. Stylistically, the coin adheres to the Hellenistic Greek tradition, characterized by naturalism and expressiveness. Designs for Sestos at this time often feature local deities like Demeter or Persephone on the obverse, symbolizing agricultural prosperity. The reverse frequently displays civic or cultic symbols, such as a torch or cornucopia, executed with varying refinement, reflecting the broader aesthetic trends of the Hellenistic world.

Technical/Grading: Measuring 16.0 mm and weighing 5.88 grams, this Æ16 represents a common bronze denomination for daily transactions. For typical designs featuring a deity's head, high-points susceptible to wear include the hair, nose, and prominent drapery folds. The reverse's central device would also show early wear. Strike quality can vary, often exhibiting minor off-centring or areas of weakness due to less careful striking than precious metal issues. An attractive, stable patina is often key in assessing the technical grade of such pieces.

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