カタログ
| 発行体 | Sidon |
|---|---|
| 年号 | 401 BC - 365 BC |
| 種類 | Standard circulation coin |
| 額面 | 1⁄16 Shekel |
| 通貨 | |
| 材質 | Silver |
| 重量 | 0.74 g |
| 直径 | 8 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HGC 10#240 |
| 表面の説明 | Phoenician pentekonter left on waves |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Persian king or hero standing right, battling lion; o between |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (401 BC - 365 BC) - - |
| Numisquare ID | 1291655090 |
| 追加情報 |
Historical Context: This 1/16 Shekel was issued under Baalshillem II, King of Sidon, during a period of significant Phoenician autonomy within the vast Achaemenid Persian Empire. Reigning from 401 to 365 BC, Baalshillem II presided over Sidon's golden age as a preeminent maritime power and a vital trade nexus in the Eastern Mediterranean. The production of such small denominations highlights a sophisticated monetary economy, crucial for facilitating everyday transactions and affirming Sidon’s economic prowess and the monarch’s authority under Persian suzerainty.
Artistry: The artistry of this minute coin, while lacking an identified engraver, is characteristic of the Phoenician stylistic school, which often absorbed Hellenic influences while maintaining distinct local iconography. The obverse typically features a highly stylized galley, a potent symbol of Sidon's naval supremacy and its extensive mercantile reach. The reverse often depicts a local deity, the Great King of Persia, or the Sidonian king himself, rendered in a compact form necessitated by the coin's diminutive size, reflecting the city-state's intricate political and religious identity.
Technical/Grading: This 0.74 gram, 8 millimeter silver coin presents specific considerations for technical assessment and grading. Key high-points for wear would include the prow and stern of the galley on the obverse, and any discernible features of the figure or deity on the reverse. Given the extremely small flan, off-center strikes and partial impressions are frequently encountered. A premium example would display a relatively centered strike with clear, well-defined iconography, minimal die wear, and full details on both sides, a rarity for such a small ancient issue.