Catalogus
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| Uitgever | Banque de France |
|---|---|
| Jaar | 1862-1866 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Franc (1795-1959) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | 1000 F - Banque de France |
| Varianten | Log in om details te zien |
| Opmerkingen |
The "griffe bleue" — blue claw — designation refers to the distinctive blue-ink cancellation stamp applied to notes withdrawn from circulation, a practice the Banque de France used throughout much of the nineteenth century to formally invalidate returned notes before archiving or destruction. Examples carrying that stamp intact are effectively cancelled specimens; uncancelled survivors from this 1862-1866 emission are considerably rarer and command corresponding attention.
Jacques-Jean Barre was the Graveur Général de la Monnaie des Médailles — the top engraving post in France — and died in 1855, meaning the plates he produced were already in use posthumously for this series. His son Albert took the post and continued under the same institutional arrangements.