1000 Cash - Wang Mang Third reform

Đơn vị phát hành China (ancient)
Năm 10-14
Loại Standard circulation coin
Mệnh giá 1000 Cash
Tiền tệ Zhu (third reform, 10-14)
Chất liệu Bronze
Trọng lượng 14.48 g
Đường kính
Độ dày 3.0 mm
Hình dạng Spade
Kỹ thuật
Hướng Medal alignment ↑↑
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo Hartill#9.29, FD#484, Schjoth#145
Mô tả mặt trước Four Chinese ideograms read right to left.
Chữ viết mặt trước Chinese
Chữ khắc mặt trước 布大 千黃
(Translation: Da Bu Heng Qian Large spade / Weight 1,000)
Mô tả mặt sau One vertical line.
Chữ viết mặt sau
Chữ khắc mặt sau
Cạnh Smooth.
Xưởng đúc
Số lượng đúc ND (10-14) - Extended line -
ND (10-14) - Short line -
ID Numisquare 2345741380
Thông tin bổ sung

Historical Context: The 1000 Cash coin represents a pivotal issue from the Xin Dynasty (9-23 AD) under the usurper Wang Mang, specifically within his third monetary reform initiated around 10-14 AD. Wang Mang’s reign was marked by radical, often disastrous, attempts to restructure the economy through numerous currency reforms. This high-denomination coin was part of his "six coins and ten goods" system, intended to centralize wealth and assert imperial authority, yet it frequently led to severe inflation, contributing to the instability that ultimately doomed his dynasty.

Artistry: While the engraver remains anonymous, typical for ancient Chinese coinage, the 1000 Cash coin exemplifies the sophisticated aesthetic standards of the Xin Dynasty. The design features the characters 'Yi Qian Huo' (一千貨), meaning 'One Thousand Money,' rendered in an elegant Seal Script (xiaozhuan) style. The calligraphy is renowned for its balanced composition and precise, flowing strokes. The traditional square central hole facilitated stringing, a common practice for cash coins, reflecting continuity with earlier Chinese numismatic traditions.

Technical/Grading: This bronze coin, weighing 14.48 grams, exhibits the typical characteristics of ancient Chinese cast coinage. High-points susceptible to wear or casting imperfections include the raised edges of the calligraphic characters and the rim. Generally, Wang Mang’s issues are noted for their superior casting quality compared to some earlier periods, often displaying sharp, well-defined characters and relatively smooth fields. However, variations in casting consistency, minor flaws, and patination are common. The substantial weight underscores its high nominal value within Wang Mang's ambitious monetary system.

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