1000 Cash - Wang Mang Third reform

Emissor China (ancient)
Ano 10-14
Tipo Standard circulation coin
Valor 1000 Cash
Moeda Zhu (third reform, 10-14)
Composição Bronze
Peso 14.48 g
Diâmetro
Espessura 3.0 mm
Formato Spade
Técnica
Orientação Medal alignment ↑↑
Gravador(es)
Em circulação até
Referência(s) Hartill#9.29, FD#484, Schjoth#145
Descrição do anverso Four Chinese ideograms read right to left.
Escrita do anverso Chinese
Legenda do anverso 布大 千黃
(Translation: Da Bu Heng Qian Large spade / Weight 1,000)
Descrição do reverso One vertical line.
Escrita do reverso
Legenda do reverso
Bordo Smooth.
Casa da moeda
Tiragem ND (10-14) - Extended line -
ND (10-14) - Short line -
ID Numisquare 2345741380
Informações adicionais

Historical Context: The 1000 Cash coin represents a pivotal issue from the Xin Dynasty (9-23 AD) under the usurper Wang Mang, specifically within his third monetary reform initiated around 10-14 AD. Wang Mang’s reign was marked by radical, often disastrous, attempts to restructure the economy through numerous currency reforms. This high-denomination coin was part of his "six coins and ten goods" system, intended to centralize wealth and assert imperial authority, yet it frequently led to severe inflation, contributing to the instability that ultimately doomed his dynasty.

Artistry: While the engraver remains anonymous, typical for ancient Chinese coinage, the 1000 Cash coin exemplifies the sophisticated aesthetic standards of the Xin Dynasty. The design features the characters 'Yi Qian Huo' (一千貨), meaning 'One Thousand Money,' rendered in an elegant Seal Script (xiaozhuan) style. The calligraphy is renowned for its balanced composition and precise, flowing strokes. The traditional square central hole facilitated stringing, a common practice for cash coins, reflecting continuity with earlier Chinese numismatic traditions.

Technical/Grading: This bronze coin, weighing 14.48 grams, exhibits the typical characteristics of ancient Chinese cast coinage. High-points susceptible to wear or casting imperfections include the raised edges of the calligraphic characters and the rim. Generally, Wang Mang’s issues are noted for their superior casting quality compared to some earlier periods, often displaying sharp, well-defined characters and relatively smooth fields. However, variations in casting consistency, minor flaws, and patination are common. The substantial weight underscores its high nominal value within Wang Mang's ambitious monetary system.

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