1000 Cash - Wang Mang Third reform

İhraççı China (ancient)
Yıl 10-14
Tür Standard circulation coin
Değer 1000 Cash
Para birimi Zhu (third reform, 10-14)
Bileşim Bronze
Ağırlık 14.48 g
Çap
Kalınlık 3.0 mm
Şekil Spade
Teknik
Yönlendirme Medal alignment ↑↑
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) Hartill#9.29, FD#484, Schjoth#145
Ön yüz açıklaması Four Chinese ideograms read right to left.
Ön yüz yazısı Chinese
Ön yüz lejandı 布大 千黃
(Translation: Da Bu Heng Qian Large spade / Weight 1,000)
Arka yüz açıklaması One vertical line.
Arka yüz yazısı
Arka yüz lejandı
Kenar Smooth.
Darphane
Basma adedi ND (10-14) - Extended line -
ND (10-14) - Short line -
Numisquare Kimliği 2345741380
Ek bilgiler

Historical Context: The 1000 Cash coin represents a pivotal issue from the Xin Dynasty (9-23 AD) under the usurper Wang Mang, specifically within his third monetary reform initiated around 10-14 AD. Wang Mang’s reign was marked by radical, often disastrous, attempts to restructure the economy through numerous currency reforms. This high-denomination coin was part of his "six coins and ten goods" system, intended to centralize wealth and assert imperial authority, yet it frequently led to severe inflation, contributing to the instability that ultimately doomed his dynasty.

Artistry: While the engraver remains anonymous, typical for ancient Chinese coinage, the 1000 Cash coin exemplifies the sophisticated aesthetic standards of the Xin Dynasty. The design features the characters 'Yi Qian Huo' (一千貨), meaning 'One Thousand Money,' rendered in an elegant Seal Script (xiaozhuan) style. The calligraphy is renowned for its balanced composition and precise, flowing strokes. The traditional square central hole facilitated stringing, a common practice for cash coins, reflecting continuity with earlier Chinese numismatic traditions.

Technical/Grading: This bronze coin, weighing 14.48 grams, exhibits the typical characteristics of ancient Chinese cast coinage. High-points susceptible to wear or casting imperfections include the raised edges of the calligraphic characters and the rim. Generally, Wang Mang’s issues are noted for their superior casting quality compared to some earlier periods, often displaying sharp, well-defined characters and relatively smooth fields. However, variations in casting consistency, minor flaws, and patination are common. The substantial weight underscores its high nominal value within Wang Mang's ambitious monetary system.

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