Catálogo
| Emisor | Brazil |
|---|---|
| Año | 1663 |
| Tipo | Standard circulation coin |
| Valor | 100 Réis |
| Moneda | Real (1654-1799) |
| Composición | Silver (.9166) |
| Peso | 7.34 g |
| Diámetro | 30 mm |
| Grosor | |
| Forma | Round |
| Técnica | |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | KM#27 |
| Descripción del anverso | Countermark [100] over LXXX Réis from João III. There is the same countermark over LXXX Réis from Filipe I |
|---|---|
| Escritura del anverso | Latin |
| Leyenda del anverso | |
| Descripción del reverso | |
| Escritura del reverso | Latin |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1663) - - |
| ID de Numisquare | 5371240720 |
| Información adicional |
Historical Context: The 100 Réis countermarked 80 Réis coin of 1663 reflects a complex period in Portuguese colonial Brazil. Though dated 1663, this issue references João IV (reigned 1640-1656), the first Braganza king, but was struck under his son Afonso VI. It represents a crucial revaluation of existing 80 Réis coinage to 100 Réis. Such countermarks were common colonial expedients to address specie shortages, standardize currency, and manage economic fluctuations during the Portuguese Restoration War.
Artistry: The "artistry" of this issue primarily resides in the countermark, as the host coin's design predates the 1663 revaluation. The original 80 Réis would feature the royal arms of Portugal and the Cross of Christ, characteristic of early Baroque Portuguese colonial coinage. The countermark, applied by local mint masters in Brazil, was a functional rather than elaborate artistic device. It usually consisted of a simple crowned numeral "100" or similar mark, indicating the new denomination, focused on clarity.
Technical/Grading: Struck in .9166 silver, 7.34 grams, 30 millimeters, this coin's technical qualities blend the host coin and countermark. High-points on the original 80 Réis include crowns and central elements of the royal arms or cross. For the countermark, highest relief points are the edges of the punch. Grading hinges on the clarity and completeness of the countermark, which varies widely due to manual striking. Host coins often exhibit considerable wear, and the countermark may be off-center or unevenly struck.