100 Francs Essai

İhraççı Algeria
Yıl 1950
Tür Coin pattern
Değer 100 Francs
Para birimi Franc (1848-1959)
Bileşim Copper-nickel
Ağırlık 11.98 g
Çap 29.95 mm
Kalınlık
Şekil Round
Teknik Milled
Yönlendirme Coin alignment ↑↓
Gravürcü(ler) Pierre Turin
Dolaşımda olduğu yıl
Referans(lar) KM#E3, Lec#54
Ön yüz açıklaması `Marianne` to the right
Ön yüz yazısı Latin
Ön yüz lejandı REPUBLIQUE FRANÇAISE P. TURIN
(Translation: French Republic)
Arka yüz açıklaması The value above date, flanked by wheat ears, country name below
Arka yüz yazısı Latin
Arka yüz lejandı 100 FRANCS 1950 ALGERIE ESSAI
(Translation: 100 Francs 1950 Algeria)
Kenar Reeded
Darphane Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Basma adedi 1950 - - 1 500
Numisquare Kimliği 3732069840
Ek bilgiler

Historical Context: The 1950 100 Francs Essai coin from Algeria dates to a complex period under French colonial administration. As an integral part of metropolitan France, Algeria was subject to the monetary policies of the French Fourth Republic. This pattern coin reflects an exploration of new denominations or designs for the Algerian departments post-World War II. It represents France's efforts to modernize its territories amidst rising nationalist sentiments, offering a numismatic glimpse into proposed currency preceding Algeria's intense struggle for independence.

Artistry: While the specific engraver for this Essai remains uncredited, its design likely originated from the Monnaie de Paris, responsible for French colonial coinage. The stylistic school adheres to classical French medallic art, often featuring allegorical figures, national symbols, or agricultural motifs, executed with academic precision. As a pattern, the design would convey the issuing power's authority, balancing metropolitan French aesthetics with potential regional relevance; specific design elements are not detailed.

Technical/Grading: Struck in copper-nickel, this 11.98-gram, 29.95-millimeter Essai typically displays a strong, often proof-like strike, characteristic of pattern issues. Collectors should scrutinize the highest points of the design—like hair, allegorical features, or intricate lettering—most vulnerable to wear or strike weakness. The copper-nickel composition, while robust, can be susceptible to contact marks. A superior example exhibits sharp details, full original luster, and minimal surface imperfections, reflecting its limited mintage and special numismatic status.

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