Каталог
| Описание аверса | `Marianne` to the right |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса |
REPUBLIQUE FRANÇAISE P. TURIN (Translation: French Republic) |
| Описание реверса | The value above date, flanked by wheat ears, country name below |
| Письменность реверса | Latin |
| Надписи реверса |
100 FRANCS 1950 ALGERIE ESSAI (Translation: 100 Francs 1950 Algeria) |
| Гурт | Reeded |
| Монетный двор |
Monnaie de Paris, Paris (and Pessac starting 1973), France (864-date) |
| Тираж |
1950 - - 1 500 |
| ID Numisquare | 3732069840 |
| Дополнительная информация |
Historical Context: The 1950 100 Francs Essai coin from Algeria dates to a complex period under French colonial administration. As an integral part of metropolitan France, Algeria was subject to the monetary policies of the French Fourth Republic. This pattern coin reflects an exploration of new denominations or designs for the Algerian departments post-World War II. It represents France's efforts to modernize its territories amidst rising nationalist sentiments, offering a numismatic glimpse into proposed currency preceding Algeria's intense struggle for independence.
Artistry: While the specific engraver for this Essai remains uncredited, its design likely originated from the Monnaie de Paris, responsible for French colonial coinage. The stylistic school adheres to classical French medallic art, often featuring allegorical figures, national symbols, or agricultural motifs, executed with academic precision. As a pattern, the design would convey the issuing power's authority, balancing metropolitan French aesthetics with potential regional relevance; specific design elements are not detailed.
Technical/Grading: Struck in copper-nickel, this 11.98-gram, 29.95-millimeter Essai typically displays a strong, often proof-like strike, characteristic of pattern issues. Collectors should scrutinize the highest points of the design—like hair, allegorical features, or intricate lettering—most vulnerable to wear or strike weakness. The copper-nickel composition, while robust, can be susceptible to contact marks. A superior example exhibits sharp details, full original luster, and minimal surface imperfections, reflecting its limited mintage and special numismatic status.