100 Francs Essai

Emitent Algeria
Rok 1950
Typ Coin pattern
Nominał 100 Francs
Waluta Franc (1848-1959)
Skład Copper-nickel
Waga 11.98 g
Średnica 29.95 mm
Grubość
Kształt Round
Technika Milled
Orientacja Coin alignment ↑↓
Rytownik(zy) Pierre Turin
W obiegu do
Źródło(a) KM#E3, Lec#54
Opis awersu `Marianne` to the right
Pismo awersu Latin
Legenda awersu REPUBLIQUE FRANÇAISE P. TURIN
(Translation: French Republic)
Opis rewersu The value above date, flanked by wheat ears, country name below
Pismo rewersu Latin
Legenda rewersu 100 FRANCS 1950 ALGERIE ESSAI
(Translation: 100 Francs 1950 Algeria)
Krawędź Reeded
Mennica Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Nakład 1950 - - 1 500
ID Numisquare 3732069840
Dodatkowe informacje

Historical Context: The 1950 100 Francs Essai coin from Algeria dates to a complex period under French colonial administration. As an integral part of metropolitan France, Algeria was subject to the monetary policies of the French Fourth Republic. This pattern coin reflects an exploration of new denominations or designs for the Algerian departments post-World War II. It represents France's efforts to modernize its territories amidst rising nationalist sentiments, offering a numismatic glimpse into proposed currency preceding Algeria's intense struggle for independence.

Artistry: While the specific engraver for this Essai remains uncredited, its design likely originated from the Monnaie de Paris, responsible for French colonial coinage. The stylistic school adheres to classical French medallic art, often featuring allegorical figures, national symbols, or agricultural motifs, executed with academic precision. As a pattern, the design would convey the issuing power's authority, balancing metropolitan French aesthetics with potential regional relevance; specific design elements are not detailed.

Technical/Grading: Struck in copper-nickel, this 11.98-gram, 29.95-millimeter Essai typically displays a strong, often proof-like strike, characteristic of pattern issues. Collectors should scrutinize the highest points of the design—like hair, allegorical features, or intricate lettering—most vulnerable to wear or strike weakness. The copper-nickel composition, while robust, can be susceptible to contact marks. A superior example exhibits sharp details, full original luster, and minimal surface imperfections, reflecting its limited mintage and special numismatic status.

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