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| 表面の説明 | The central vignette presents date, value, and issuer text within an ornamental frame enclosed by an oval wreath of grapevines with fruit. To the left stands a draped figure of Libertas, the Roman goddess of Liberty, wearing a diadem and holding a shield, facing right; to the right, a kneeling child supports a cartouche bearing the denomination. Value cartouches appear above and below the central frame, with engraved signatures of the Kassier and Direktor across the lower portion of the design. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | 100 100 CENT FRANCS HUNDERT FRANKEN CENTO FRANCHI 100 100 |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Aargauische Bank was one of dozens of Swiss cantonal and private banks that retained note-issuing rights well into the federal era — a messy overlap that persisted until the Swiss National Bank absorbed the privilege after 1907. This note was therefore printed and circulating right up to the end of that arrangement, with Bradbury Wilkinson producing the plates in London for a bank headquartered in Aarau.
Albert Walch was an Alsatian-born engraver who worked extensively on Swiss cantonal issues; Josef von Storck, an Austrian, brought a distinctly Viennese decorative sensibility to his plate work. An unusual pairing for a single note.