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10 Francs - Colbert
| Uitgever | Caisse Centrale de la France d'Outre-Mer |
|---|---|
| Jaar | 1947 |
| Type | Log in om details te zien |
| Waarde | 10 Francs (10 FCFA) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | DIX FRANCS CAISSE CENTRALE DE LA FRANCE D'OUTRE-MER P. MUNIER FEC. HOURRIEZ SC. (Translation: Ten Francs Central Fund of Overseas France) |
| Beschrijving keerzijde | Multicolour vignette occupying the central field, composed of a tropical riverside scene with a dugout canoe carrying figures on a calm river, framed by lush equatorial vegetation, exotic fruits, and flowering plants in the foreground. Denomination numerals are set within guilloche panels at left and right, and a legal warning cartouche appears at lower centre-right. Engraver and designer credits are printed in the lower margins. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Caisse Centrale de la France d'Outre-Mer was established by de Gaulle's provisional government in 1944 specifically to restore monetary order in liberated French territories — a direct response to the proliferation of Allied Military Currency and improvised local issues during the occupation years. This 10 Francs note, part of the postwar reconstruction series, circulated across a remarkably dispersed currency zone that included French Guiana, Guadeloupe, Martinique, and Réunion simultaneously.
Hourriez and Chapon were both career engravers at the Banque de France's atelier, and the split attribution — one engraver per face — was routine workshop practice there, not a sign of any unusual production arrangement.