目录
| 发行方 | Myaungmyo region |
|---|---|
| 年份 | 101-300 |
| 类型 | Standard circulation coin |
| 面值 | |
| 货币 | |
| 材质 | Silver |
| 重量 | 8.11 g |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | MIT#149/50 |
| 正面描述 | Recumbent humped bull facing right. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Kailasha vase of plenty (purnaghata) on a lotus. |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | Smooth. |
| 铸币厂 | |
| 铸造量 |
ND (101-300) - 2nd to 3rd century - |
| Numisquare 编号 | 5990476410 |
| 附加信息 |
Historical Context: This 1 Unit silver coin originates from the Myaungmyo region, a significant Pyu city-state in the Irrawaddy Delta of ancient Myanmar, flourishing between 101 and 300 CE. This period marks a pivotal era of economic development and cultural exchange, with Pyu polities engaging in extensive trade networks. The issuance of standardized coinage, like this 1 Unit piece, underscores the region's advanced administrative capacity and economic autonomy, reflecting a complex society well before later Burmese kingdoms. It provides invaluable insight into early Southeast Asian monetary systems.
Artistry: While the individual engraver remains anonymous, typical of ancient coinage, this piece belongs to the distinctive Pyu stylistic school, characterized by its blend of indigenous iconography and strong Indian influences. The design likely features a prominent Srivatsa on the obverse, symbolizing prosperity and good fortune, often rendered with stylized elegance. The reverse commonly displays a Dharmachakra or other auspicious emblems such as the conch shell, reflecting the prevalent Buddhist and Hindu cultural currents of the era. The execution conveys a symbolic rather than naturalistic aesthetic.
Technical/Grading: Struck in silver with a weight of 8.11 grams, this 1 Unit coin represents a robust standard for its period. Typical high-points susceptible to wear include the central elements of the Srivatsa and the raised spokes of the Dharmachakra. The technical strike quality often varies, but well-preserved examples exhibit clear delineation of the symbolic motifs. The flan, while generally broad, can sometimes show minor irregularities or areas of weaker strike, particularly towards the edges, a common characteristic of ancient hand-struck coinage. The alloy quality and consistent weight attest to a controlled minting process.