Каталог
| Эмитент | Myaungmyo region |
|---|---|
| Год | 101-300 |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | |
| Состав | Silver |
| Вес | 8.11 g |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | MIT#149/50 |
| Описание аверса | Recumbent humped bull facing right. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Kailasha vase of plenty (purnaghata) on a lotus. |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | Smooth. |
| Монетный двор | |
| Тираж |
ND (101-300) - 2nd to 3rd century - |
| ID Numisquare | 5990476410 |
| Дополнительная информация |
Historical Context: This 1 Unit silver coin originates from the Myaungmyo region, a significant Pyu city-state in the Irrawaddy Delta of ancient Myanmar, flourishing between 101 and 300 CE. This period marks a pivotal era of economic development and cultural exchange, with Pyu polities engaging in extensive trade networks. The issuance of standardized coinage, like this 1 Unit piece, underscores the region's advanced administrative capacity and economic autonomy, reflecting a complex society well before later Burmese kingdoms. It provides invaluable insight into early Southeast Asian monetary systems.
Artistry: While the individual engraver remains anonymous, typical of ancient coinage, this piece belongs to the distinctive Pyu stylistic school, characterized by its blend of indigenous iconography and strong Indian influences. The design likely features a prominent Srivatsa on the obverse, symbolizing prosperity and good fortune, often rendered with stylized elegance. The reverse commonly displays a Dharmachakra or other auspicious emblems such as the conch shell, reflecting the prevalent Buddhist and Hindu cultural currents of the era. The execution conveys a symbolic rather than naturalistic aesthetic.
Technical/Grading: Struck in silver with a weight of 8.11 grams, this 1 Unit coin represents a robust standard for its period. Typical high-points susceptible to wear include the central elements of the Srivatsa and the raised spokes of the Dharmachakra. The technical strike quality often varies, but well-preserved examples exhibit clear delineation of the symbolic motifs. The flan, while generally broad, can sometimes show minor irregularities or areas of weaker strike, particularly towards the edges, a common characteristic of ancient hand-struck coinage. The alloy quality and consistent weight attest to a controlled minting process.