| توضیحات روی سکه |
Plain field bearing a single pellet (dot) at center, serving as the value mark denoting one uncia, the twelfth part of the as. The flan is irregular and slightly convex, consistent with cast aes grave production. No legend or additional decorative elements are present. |
| خط روی سکه |
وارد شوید برای مشاهده جزئیات |
| نوشتههای روی سکه |
وارد شوید برای مشاهده جزئیات |
| توضیحات پشت سکه |
A right-turning swastika (tetraskelion) occupying the full field, with four arms of equal length extending from a central hub and bending clockwise at right angles. The design is boldly rendered in relief, characteristic of Central Italian aes grave casting of the third to second century BC. No legend or additional symbols are present. |
| خط پشت سکه |
وارد شوید برای مشاهده جزئیات |
| نوشتههای پشت سکه |
وارد شوید برای مشاهده جزئیات |
| لبه |
وارد شوید برای مشاهده جزئیات |
| ضرابخانه |
وارد شوید برای مشاهده جزئیات |
| تیراژ ضرب |
وارد شوید برای مشاهده جزئیات |
The attribution "uncertain city of Central Italy" is not evasiveness — it reflects a genuine scholarly impasse. Cast bronze coinage of this type circulated across a region where several communities, some never conclusively identified, operated short-lived mints during the Second Punic War period and the decades surrounding it. The right-turning variant is catalogued separately from its left-turning counterpart because ancient die orientation in cast series was deliberate, not accidental, though what administrative or workshop distinction it marked remains unresolved.
Haeberlin's foundational typology, still the baseline for aes grave scholarship, placed this piece among a cluster of issues he could not firmly anchor to a single issuer.